Publications  Volume 8/2: British Women Writers (forthcoming)  June 2010  Volume 8/1 [forthcoming]  January 2010  Volume 7/2: Eyewitness Narratives  June 2009  Volume 7/1  January 2009  Volume 6/2: Narrative Knowing, Living, Telling  June 2008  Volume 6/1  January 2008  Volume 5/2  June 2007  Volume 5/1  January 2007  Volume 4/2: Narrative as a Way of Thinking  June 2006  Volume 4/1  January 2006  Volume 3/2  June 2005  Volume 3/1  January 2005  Volume 2/2  June 2004  Volume 2/1  January 2004  Volume 1/2  June 2003  Volume 1/1  January 2003  Quick Article Search    Newest Articles  The Illiterate Reader  Sarah Liu  Aesthetics of Unease  Carola Hilfrich  Once Tortured, Forever Tortured  Richard Freadman  Narrative Tensions  Jeffrey Wallen  Primo Levi, Robert Antelme, and the Body of the Muselmann  Manuela Consonni  Swearing-in Ceremony  Dalia Ofer  Scholars, Eyewitnesses, and Flesh-Witnesses of War  Yuval Noah Harari  Eye and I  Paul John Eakin Updated Up To 01/06/2009 Volume 4, Number 2 (June 2006) : 59--77 Acting, Thinking, and Telling Anna Blume Dilemma in Paul Auster's In the Country of Last Things Matti Hyvaerinen Rubric: Narrative as a Way of Thinking Abstract “Because you cannot act, you find yourself unable to think,” says Anna Blume in Paul Auster’s In the Country of Last Things. This idea is discussed in connection with thinkers who connect action and narrative, such as Arendt, Ricoueur and Fludernik. If narrative indeed is a way to perceive and interpret action, a world reduced to hazard and behavior seems to leave neither space nor frameworks for thinking.  Looking from this perspective, the narrative way of thinking is a prerequisite for other modes of thinking as well. The discussion of the extreme situation of no narrative and no thinking is related to Dominick LaCapra’s work on trauma and narration. Full text for paid subscribers only.
All Rights Reserved to The Hebrew University of Jerusalem- Partial Answers © 2004.