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 Volume 13/1: includes forum The Ghetto as a Victorian Text
 

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   Newest Articles

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 Till Kinzel

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 Inge Arteel

 Singing Thomas Pynchon’s Gravity’s Rainbow
 Anahita Rouyan

 Being Silent, Doing Nothing
 Agatha Frischmuth

 Musical Macrostructures in The Gold Bug Variations and Orfeo by Richard Powers; or, Toward a Media-Conscious Audionarratology
 A. Elisabeth Reichel

 New Modes of Listening
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 Narrating Sounds
 Jarmila Mildorf and Till Kinzel

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Updated Up To 18/01/2017
Volume 6, Number 2 (June 2008) : 481--501
Narrative as Experience
The Pedagogical Implications of Sympathizing with Fictional Characters
Howard Sklar
Rubric A: Narrative as a Way of Thinking

Abstract
Last year, guided by theories that regard sympathy as an imaginative capacity that can bridge divisions between people of different backgrounds, I conducted an experiment with nearly 200 Finnish secondary school students, in order to determine the extent to which particular texts would generate their sympathy for characters who seem unattractive, undesirable, or generally outside of the accepted norms of the societies in which they live. The present paper builds on my findings in that study by suggesting some of the pedagogical implications of providing adolescents with opportunities to engage with the lives of fictional characters, and particularly to experience feelings of sympathy for individuals toward whom they ordinarily might feel aversion or uncertainty. It examines some of the ways in which experiences with narrative fiction can be used to help develop emotional and conceptual structures in adolescent readers. In Education and Experience John Dewey contends that “the conditions found in present experience should be used as sources of problems”; indeed, the present paper shows how narrative experience can help form the basis for a problem-solving, emotionally-rich curriculum that takes as its primary aim the development of students’ capacities for emotional awareness and ethical reflection.
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