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   Newest Articles

 Response Essay
 Monika Fludernik

 Experience, Affect, and Literary Lists
 Eva von Contzen

 Posthuman Narration as a Test Bed for Experientiality
 Marco Caracciolo

 The Curse of Realism
 Karin Kukkonen

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 Jonas Grethlein

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 Maria Mäkelä

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Updated Up To 26/06/2018
Volume 8, Number 1 (January 2010) : 23--38
“Why Linger at the Yawning Tomb so Long?”
The Ethics of Negative Capability in Keats’s Isabella and Hyperion
Katey Castellano
Rubric A: Literature and Ethics



This essay argues that Keats’s Isabella and Hyperion not only present the aesthetics of suffering (“Sorrow more beautiful than Beauty’s self”) but also reveal that within profound loss and pain there lie ethical possibilities that can be discovered through fidelity to existential and psychological uncertainty, or in Keats’s terms, through lingering “at the yawning tomb.”  As Isabella inconsolably weeps over her pot of basil and Saturn lies “nerveless” on the earth, the aesthetic and ethical dimensions of a state of total uncertainty and doubt are explored in the poems. A re-reading of these two poems suggests that negative capability is often attained by an encounter with the ultimate mystery, death, an experience that challenges and even overwhelms the subject’s sense of identity. Situated within a complex matrix of ontology, epistemology, and ethics, Keats’s concept of negative capability suggests that an encounter with death is not merely a disaster -- it also serves as a self-negation that forcibly empties the mind of personal, social, and historical certainty. This emptied mind is then capable of imagining hitherto unforeseen ethical possibilities. Keats’s negative capability then, beyond its aesthetic productivity, suggests that within traumatic loss there lies the potential for fundamental socio-political reorientation.

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