Partial Answers - Homepage Journal of Literature and The History of Ideas The Hebrew University of Jerusalem
 Publications

 Volume 16/1 includes forum "Modernity and Mobility: Victorian Women Traveling"
 January 2018

 Volume 15/2
 June 2017

 Volume 15/1: includes forum "Audionarratology"
 January 2017

 Volume 14/2: includes forum "Modern Jewish Spaces"
 June 2016

 Volume 14/1: includes forum "Saul Bellow as a Novelist of Ideas"
 January 2016

 Volume 13/2: includes forum "Comics and the Canon"
 June 2015

 Volume 13/1: includes forum "TheGhetto as a Victorian Text"
 January 2015

 Volume 12/2: includes forum "The Novel and Theories of Love"
 June 2014

 Volume 12/1
 January 2014

 Volume 11/2: includes forum "Translating Philip Roth"
 June 2013

 Volume 11/1
 January 2013

 Volume 10/2: includes forum "Bildung and the State"
 June 2012

 Volume 10/1: includes forum "Fernando Pessoa and the Issue of Heteronymy
 January 2012

 Volume 9/2: Dickens: Uneasy Pleasures
 June 2011

 Volume 9/1
 January 2011

 Volume 8/2: British Women Writers
 June 2010

 Volume 8/1 includes forum "The Ethics of Temporality"
 January 2010

 Volume 7/2: Eyewitness Narratives
 June 2009

 Volume 7/1
 January 2009

 Volume 6/2: Narrative Knowing, Living, Telling
 June 2008

 Volume 6/1
 January 2008

 Volume 5/2
 June 2007

 Volume 5/1
 January 2007

 Volume 4/2: Narrative as a Way of Thinking
 June 2006

 Volume 4/1
 January 2006

 Volume 3/2
 June 2005

 Volume 3/1
 January 2005

 Volume 2/2
 June 2004

 Volume 2/1
 January 2004

 Volume 1/2
 June 2003

 Volume 1/1
 January 2003

 Quick Article Search

   Newest Articles

 Sounding Postmodernity
 Jarmila Mildorf

 Narrativity and Sound in German Radio Play Adaptations of Paul Auster’s The New York Trilogy
 Till Kinzel

 Non-Sovereign Voices in Friederike Mayröcker’s Aural Texts
 Inge Arteel

 Singing Thomas Pynchon’s Gravity’s Rainbow
 Anahita Rouyan

 Being Silent, Doing Nothing
 Agatha Frischmuth

 Musical Macrostructures in The Gold Bug Variations and Orfeo by Richard Powers; or, Toward a Media-Conscious Audionarratology
 A. Elisabeth Reichel

 New Modes of Listening
 Emily Petermann

 Narrating Sounds
 Jarmila Mildorf and Till Kinzel

Get Adobe Reader

Updated Up To 18/01/2017
Volume 15, issue 1 (January 2017) : 167-188
Sounding Postmodernity
Narrative Voices in the Radio Adaptation of Alasdair Gray’s Lanark
Jarmila Mildorf
Rubric A: Audionarratology
Rubric B: Twentieth-Century Literature

Abstract

 

Alasdair Gray’s novel Lanark: A Life in Four Books (1981) eludes generic categorization by crossing the boundaries between dystopian fiction, fantasy novel, life writing, and fiction marked by magic realism. In postmodern fashion, it plays with spatiotemporal frameworks and narrative order, shifts narrative voices, and perspectives and uses a multiplicity of presentational modes including dialogue and scholarly text commentary with encyclopedic annotations. In its “Epilogue,” the novel features metalepsis when it introduces the author, who talks to his protagonist about his work. The question arises how the novel’s radio play adaptation, first broadcast by the BBC on 1 November 2014, translates this playfulness into its own semiotic system. This paper particularly focuses on the narratological category of “voice” and explores what happens when narrators’ and characters’ voices are actualized in radio drama, how the radio play uses voice-over narration, voice qualities and the doubling of parts to create a recognizable as well as surprising aural storyworld. It also analyzes how sound techniques and music are employed to create narrative structures. Because of their medial instantaneousness and evanescence, radio plays arguably have to rely on disambiguation to make themselves accessible to a listening audience. However, as this paper shows, they also have a range of radiophonic techniques at their disposal to create narrativity on their own terms.


 All Rights Reserved to The Hebrew University of Jerusalem- Partial Answers © 2004. Powered By Priza

The Johns Hopkins University Press