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 Volume 16/1 includes forum "Modernity and Mobility: Victorian Women Traveling"
 January 2018

 Volume 15/2
 June 2017

 Volume 15/1: includes forum "Audionarratology"
 January 2017

 Volume 14/2: includes forum "Modern Jewish Spaces"
 June 2016

 Volume 14/1: includes forum "Saul Bellow as a Novelist of Ideas"
 January 2016

 Volume 13/2: includes forum "Comics and the Canon"
 June 2015

 Volume 13/1: includes forum "TheGhetto as a Victorian Text"
 January 2015

 Volume 12/2: includes forum "The Novel and Theories of Love"
 June 2014

 Volume 12/1
 January 2014

 Volume 11/2: includes forum "Translating Philip Roth"
 June 2013

 Volume 11/1
 January 2013

 Volume 10/2: includes forum "Bildung and the State"
 June 2012

 Volume 10/1: includes forum "Fernando Pessoa and the Issue of Heteronymy
 January 2012

 Volume 9/2: Dickens: Uneasy Pleasures
 June 2011

 Volume 9/1
 January 2011

 Volume 8/2: British Women Writers
 June 2010

 Volume 8/1 includes forum "The Ethics of Temporality"
 January 2010

 Volume 7/2: Eyewitness Narratives
 June 2009

 Volume 7/1
 January 2009

 Volume 6/2: Narrative Knowing, Living, Telling
 June 2008

 Volume 6/1
 January 2008

 Volume 5/2
 June 2007

 Volume 5/1
 January 2007

 Volume 4/2: Narrative as a Way of Thinking
 June 2006

 Volume 4/1
 January 2006

 Volume 3/2
 June 2005

 Volume 3/1
 January 2005

 Volume 2/2
 June 2004

 Volume 2/1
 January 2004

 Volume 1/2
 June 2003

 Volume 1/1
 January 2003

 Quick Article Search

   Newest Articles

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 Jarmila Mildorf

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 Till Kinzel

 Non-Sovereign Voices in Friederike Mayröcker’s Aural Texts
 Inge Arteel

 Singing Thomas Pynchon’s Gravity’s Rainbow
 Anahita Rouyan

 Being Silent, Doing Nothing
 Agatha Frischmuth

 Musical Macrostructures in The Gold Bug Variations and Orfeo by Richard Powers; or, Toward a Media-Conscious Audionarratology
 A. Elisabeth Reichel

 New Modes of Listening
 Emily Petermann

 Narrating Sounds
 Jarmila Mildorf and Till Kinzel

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Updated Up To 18/01/2017

from Notes on Contributors
Geoffrey Hartman
Yale University

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Geoffrey Hartman is Sterling Professor Emeritus of English and Comparative Literature at Yale University. He has taught at many other Universities in the U.S., Israel, and Europe. He directed the international School of Criticism and Theory from 1982 to 1987. His books include The Unmediated Vision: An Interpretation of Wordsworth, Hopkins, Rilke, and Valéry (1954), André Malraux (1960), Wordsworth’s Poetry, 1787--1814 (1964), Beyond Formalism: Literary Essays, 1958--1970 (1970), The Fate of Reading and Other Essays (1975), the recently republished Criticism in the Wilderness: The Study of Literature Today (1980), Saving the Text: Literature/Derrida/Philosophy (1981), Easy Pieces (1985), The Unremarkable Wordsworth (1987), Minor Prophecies: The Literary Essay in the Culture Wars (1991), The Longest Shadow: In the Aftermath of the Holocaust (1996), The Fateful Question of Culture (1997), Scars of the Spirit: The Struggle against Inauthenticity (2004), and A Scholar’s Tale: Intellectual Itinerary of a Displaced Child of Europe (2007). He is the editor of Bitburg in Moral and Political Perspective (1986). The Geoffrey Hartman Reader was published in 2004 by Edinburgh University Press. 

               Hartman has received many prizes and several honorary degrees. In addition to continuing his work on Romantic poetry and on literary criticism as a creative endeavor, he helped to found Yale’s Fortunoff Video Archive for Holocaust Testimonies, and lectures on issues dealing with testimony.

 



Essays in Partial Answers

Paul Fry’s Wordsworth, and the Meaning of Poetic Meaning, or Is It Non-Meaning? : Letter to a Colleague and Friend
Volume 8, Number 1, December 2010
History of Humanities
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