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 Volume 16/1: includes forum "Victorian Women Traveling"
 January 2018

 Volume 15/2
 June 2017

 Volume 15/1: includes forum "Audionarratology"
 January 2017

 Volume 14/2: includes forum "Modern Jewish Spaces"
 June 2016

 Volume 14/1: includes forum Saul Bellow as a Novelist of Ideas
 January 2016

 Volume 13/2: includes forum Comics and the Canon
 

 Volume 13/1: includes forum The Ghetto as a Victorian Text
 

 Volume 12/2: includes forum The Novel and Theories of Love
 June 2014

 Volume 12/1
 January 2014

 Volume 11/2 includes Forum: Translating Philip Roth
 June 2013

 Volume 11/1
 January 2013

 Volume 10/2
 June 2012

 Volume 10/1
 January 2012

 Volume 9/2: Dickens: Uneasy Pleasures
 June 2011

 Volume 9/1
 January 2011

 Volume 8/2: British Women Writers
 June 2010

 Volume 8/1 includes forum The Ethics of Temporality
 January 2010

 Volume 7/2: Eyewitness Narratives
 June 2009

 Volume 7/1
 January 2009

 Volume 6/2: Narrative Knowing, Living, Telling
 June 2008

 Volume 6/1
 January 2008

 Volume 5/2
 June 2007

 Volume 5/1
 January 2007

 Volume 4/2: Narrative as a Way of Thinking
 June 2006

 Volume 4/1
 January 2006

 Volume 3/2
 June 2005

 Volume 3/1
 January 2005

 Volume 2/2
 June 2004

 Volume 2/1
 January 2004

 Volume 1/2
 June 2003

 Volume 1/1
 January 2003

 Quick Article Search

   Newest Articles

 Sounding Postmodernity
 Jarmila Mildorf

 Narrativity and Sound in German Radio Play Adaptations of Paul Austerís The New York Trilogy
 Till Kinzel

 Non-Sovereign Voices in Friederike Mayröckerís Aural Texts
 Inge Arteel

 Singing Thomas Pynchonís Gravityís Rainbow
 Anahita Rouyan

 Being Silent, Doing Nothing
 Agatha Frischmuth

 Musical Macrostructures in The Gold Bug Variations and Orfeo by Richard Powers; or, Toward a Media-Conscious Audionarratology
 A. Elisabeth Reichel

 New Modes of Listening
 Emily Petermann

 Narrating Sounds
 Jarmila Mildorf and Till Kinzel

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Updated Up To 18/01/2017

from Notes on Contributors
Stephanie Trigg
University of Melbourne

 

Stephanie Trigg is Professor of English Literature at the University of Melbourne. She is the author of Congenial Souls: Reading Chaucer from Medieval to Postmodern (Minnesota University Press, 2001) and Shame and Honor: A Vulgar History of the Order of the Garter (Pennsylvania University Press, 2012). She is a founding member of the Australian Research Councilís Centre of Excellence for the History of Emotions. Her research for the Centre is founded on emotions, the face, and the cultural histories of stone and fire, from medieval Europe to modern Australia.



Essays in Partial Answers

The Legitimacy of the Middle Ages: On the Unwritten History of Theory, ed. Andrew Cole and D. Vance Smith
Volume 10, Issue 2, January 2011
Book review
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