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Always Fiction? The Limits of Authorial License in Our Mutual Friend

  • Bernard Harrison

Date Published:

14 June, 2011

Abstract:

This essay concerns the connection between literature and reality. It argues that the existence of such a connection is made possible by the dual role of social practice in founding, on the one hand, human reality (including character), and on the other, linguistic meaning. While an author is free to determine such matters as plot or imagery under the control of nothing stronger than general plausibility and verisimilitude, a far stronger constraint from the side of reality comes into play the moment he sets about deploying the resources of a natural language, which is not his private property but a public possession, whose possibilities of meaning stand before him independently of his wishes, already richly charged with references, both historic and contemporary, to the structures of practice constitutive of the social order from which it has emerged, and the complexities of whose daily intercourse on all levels it serves to mediate. In developing these themes, the essay explores the relationships between fairy tale, language, and reality in Our Mutual Friend, and the way in which Dickens' language mediates between our "uneasy" sense that, on the one hand, we are reading a fairy tale, or rather a set of interwoven fairy tales, and on the other hand, that the novel is, nevertheless, in some sense a work of "realism," though not at all concerned with "social reality" in any sense seriously analogous to, say, Mayhew's London Labour and the London Poor. The title and the epigraph pick up a passage in Cynthia Ozick's early novel Trust: "here was a man who shunned novels on the ground that they were always fiction."

 

Bernard Harrison is currently Emeritus E.E. Ericksen Professor of Philosophy in the University of Utah and an Emeritus Professor in the University of Sussex. He is one of a number of analytic philosophers, more numerous now than formerly, whose interests include literature and its relationships with philosophy and the history of ideas. His literary work includes Fielding's Tom Jones: The Novelist as Moral Philosopher (Chatto, 1975), Inconvenient Fictions: Literature and the Limits of Theory (Yale University Press, 1991), What Is Fiction For? Literary Humanism Restored (Indiana University Press, 2015), and numerous papers. His more strictly philosophical writings include work on epistemology, ethics, the philosophy of Wittgenstein and the philosophy of language. His most recent book on such topics, Word and World: Practice and the Foundations of Language (Cambridge University Press, 2004), co-authored with his Utah colleague Patricia Hanna, offers a systematic rethinking, with implications, among other things, for literary studies, of the philosophy of language, as it has developed since Russell and Frege, on the basis of a new reading of Wittgenstein. He is currently (2017) at work on a study of the nature of anti-Semitism, and the continuity between its traditional and contemporary forms, under the title Blaming the Jews: The Persistence of a Delusion. It develops and carries further some of the ideas proposed in his The Resurgence of Anti-Semitism: Jews, Israel and Liberal Opinion (Rowman and Littlefield, 2006).

Updated in March 2017.

 

Publisher's Version

Volume 9, Issue 2 Narrative as a Way of Thinking
Last updated on 04/16/2020