This article traces literary depictions of the city of Haifa, starting from its utopian literary prototype in Theodor Herzl’s influential Altneuland (1902), and continuing with later Israeli writing, by Yehudit Hendel, Sami Michael, and Hillel Mittelpunkt. The article shows how the Israeli works discussed set literary Haifa as a stage for examining questions of identity, belonging, and the relations between individual and society, through an emphasis on the complex ties between language, ethnicity, and space. The literary city of these works is compared to the city of Herzl’s utopian vision. I argue that the evolution of literary Haifa is associated with shifts in Israeli collective self-perception: from the utopian mode of thought, in which difficulties and complexities remain invisible, through the gradual turning of the gaze towards the difficulties and fractures in the emergent new society (first within the Jewish society, but then also outside it — among the Arab minority); and finally, to an inability to accept the absence of utopia from the present, leading to escapism and a quest for the longed-for ideal in the pre-national past. | June 2016: Chen Bar-Itzhak is a PhD candidate at the Department of Hebrew Literature, Ben-Gurion University of the Negev, where she teaches literary theory. She is a winner of the Nathan Rotenstreich scholarship for outstanding doctoral students in the humanities. Her dissertation traces the literary representations of the city of Haifa, employing theories from the fields of architecture, sociology, and cultural geography. She has written for the Heksherim Lexicon of Israeli Writers, and has two forthcoming publications in edited volumes, on virtual nostalgia for British Mandate Haifa and on the poetics of Sami Michael. |
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