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In their book Kafka Deleuze and Guattari mention Samuel Beckett as a prime example of a minor writer. The article explores this insight about Beckett’s practice as a minor writer, focusing on his first novel published in French, Molloy (1951). It further inquires into the importance of multilingualism to the change in Beckett’s style after World War II and its connection with the transition from English to French.
January 2016: Einat Adar is a PhD student at the Centre for Irish Studies, Charles University, Prague, working on a thesis provisionally titled “Berkeleyan Images in Samuel Beckett's Work” . She is the co-editor of Tradition andModernity: New Essays in Irish Studies where she also published an article “Or Percipere: How Berkeleyan is Samuel Beckett’s Film?”
