This essay argues that in Billy Budd, Sailor: An Inside Narrative, Herman Melville draws on the 19^th-century reading public’s repugnance towards infanticide to both construct his narrative and inspire readers’ emotions to critique capital punishment. The connections between child murder and the execution of Billy in Billy Budd emerge out of the transatlantic literature and culture of capital punishment reform, which includes, significantly, George Eliot’s novel Adam Bede. A reading informed by the literary and cultural history of child murder reveals that Melville’s critique of sovereign power draws on the emotional dynamics of the infanticide narrative. Billy embodies elements of both the infanticidal mother and the murdered child, while Captain Vere exhibits a parental sympathy that might be associated with 19^th-century sentimental reformers. Dramatizing how Vere’s personal connection with Billy ultimately supports the aims of sovereign power, Melville provides a compelling enactment of the corrosive effects of biopolitics on human relationships. Beyond that, Melville’s use of the infanticide topos ultimately likens Billy’s execution to a coolly rational infanticide by the state

June 2018: Emer Vaughn is a Ph.D. candidate in the English department at Indiana University Bloomington. Her dissertation examines trans-corporealities in mid-19th-century American nature writing.