Date Published:

Abstract:

This article reads Aldous Huxley’s dystopian novel Brave New World as a portrayal of two societies, one primitive and the other futuristic, founded on taboos. Although the two contradictory worlds survive on opposite taboos, the study argues that the social and psychic mechanisms behind the operation of taboos in the Savage Reservation and in the World State are structurally similar. Drawing on Sigmund Freud, Jacques Lacan, Slavoj Žižek, and Julia Kristeva, the article examines Huxley’s narrative of taboos in terms of the dialectic of desire and law.

September 2024: Seda Arikan is Associate Professor of English at the Department of English Language and Literature, Fırat University, Turkey. She studied as a visiting researcher at the Centre for Iris Murdoch Studies at Kingston University, London, in 2012. Her fields are comparative literature, philosophy and literature, ecology and literature, gender studies. She has published three monographs in Turkish: Iris Murdoch’s Novels in the Light of Lacanian Psychoanalytic Method (2014); Cefer Cabbarlı: (Non)Reflections in the Mirror (2019), winner of the Cefer Cabbarlı Award in Azerbaijan (2019), and Doris Lessing: A Philosophy of Life from Marxism to Sufism (2018), which in 2020 was selected as the best monograph of the year on English Literature by English Language and Literature Research Association of Turkey. She is currently serving as the vice president of the Doris Lessing Society. A monograph based on her postdoctoral study (at Fordham University, New York) on “Virtue Ethics in the Novels of Doris Lessing” is forthcoming from Routledge.