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'Here I have prepar'd my Paschal Lambe': Reading and Seeing the Eucharistic Presence in Aemilia Lanyer's Salve Deus Rex Judaeorum

Date Published:

1 Jan, 2011

Abstract:

The dedicatory poem Aemilia Lanyer wrote for Queen Anne invites the reader to see the verses as a Eucharistic mirror. Despite the volume of critical literature on Salve Deus, Lanyer's uses of sight in the definition of feminine cognition and religious devotion have been ignored. In this article I place Lanyer's use of scopic metaphors within the context of early seventeenth century Protestant idioms of devotion and sight - I thus argue that the aim of Lanyer's work was not only to rewrite Christ's passion or the Original Sin, nor merely to make bid for patronage - it was a femnine re-conception of seeing, reading, and believing which clashed with contemporary ideas of vision and cognition. What Lanyer was doing in her poems was to reconceive both her role as poet and that of the reader's as the two sides of an optic and Eucharistic encounter.

 

Yaakov Mascetti is lecturer in the Department of Comparative Literature at the Bar-Ilan University in Israel. His work focuses on metaphysical poetry, early-modern conceptions of sight and cognition, the role of occultism in the rise of modernity, and definitions of femininity in early-modern English literature. He recently completed his first book on Humanist sign-theory and Protestant sacramentalism in early-modern

English religious lyrics, and is now working on a new project on shifting conceptions of truth and sight in early-modern and enlightenment England.
 
updated on October 3, 2018

 

Publisher's Version

Volume 9, Issue 1 Women Writers
Last updated on 04/16/2020