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This essay discusses the element of length as the shared basis that forms the epic tradition in its various transformations of the narrative and heroic modes. Length preserves a certain quality that other terms (such as “heroic” or “narrative”) are meant to express. What is at stake here is our understanding of narrativity, its relation to length in the epic tradition, and the narrative facet of the tradition itself. The article delineates a tentative narrative of a tradition of long poems that narrate past values as an ideal. Latent in the question of these poems’ length is the question of multiplicity and unity: what are the relations between the poem’s parts and how – or whether – they create one poem. The long poem of the epic tradition is the fruit of the attempt to contend with the relationship between multiplicity and unity; it is the expression of this attempt — either by searching for an option that does not make these two concepts mutually exclusive or by pointing to another world, where such a worldview apparently existed. In this sense, the narrativity of the long epic poem preserves the past and turns it into a utopian future.
January 2006: Shahar Bram teaches Comparative and Hebrew literature at the University of Haifa. His latest book The Backward Look: The Poetry of Israel Pinkas, Harold Schimmel and Aharon Shabtay, was published by The Magnes Press, The Hebrew University Jerusalem (Hebrew). His previous book Charles Olson, Alfred North Whitehead and the Long Poem: An Essay on Poetry, was published by Bucknell University press, Lewisburg. He is also the author of two collections of poems in Hebrew: The Blooming of Memory (2005) and City of Love (1999).