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Thomas Day: Portrait of a Gentleman

Citation:

Barnard, Teresa . 2014. “Thomas Day: Portrait of a Gentleman”. Partial Answers 12(1): 25-40. https://muse.jhu.edu/article/535665.
  • Teresa Barnard

Date Published:

2 Jan, 2014

Abstract:

The narrative of Joseph Wright’s figures is eloquent and complex. In many ways, the sitters defined themselves and their cultural aspirations for posterity through clothing, posture and props. However, Wright subverts the tenets of eighteenth-century portraiture as he attempts to identify the physical markers that give the viewer a closer understanding of character. The painting of Thomas Day, for example, is far removed from the conventional portraiture of the wealthy gentleman. Its signifiers suggest the complexities of Day’s character. Most of what we know of the eccentric Day has come to us through Anna Seward’s unorthodox biography of Erasmus Darwin and his circle. This text is supplemented by letters between Seward and Walter Scott, which disclose the publishing censorship levelled at her memoir of Day when she attempted to find a psychological cause for his experiments with education and his rejection of wealth and luxury. Her private letters give an alternative view of the public figure that was part of her literary coterie, her “dear Quartetto.” This essay discusses the representation of character in Wright’s portrait of Thomas Day and decodes its cultural markers through a synthesis of painting and word-painting.

 

Teresa Barnard is senior lecturer at the University of Derby, United Kingdom, teaching eighteenth- and nineteenth-century literature, and Derbyshire literature from the eighteenth century to the present day. Her research interests are in the area of long eighteenth-century women’s writing, and she has published several articles and chapters on the subject, including “Anna Seward’s Terrestrial Year: Women, Poetry and Science in Eighteenth-Century England” for Partial Answers and “‘The Midnight and Poetic Pageant’: An evening of Romance and Chivalry” for Cultural History. Her monograph, Anna Seward: A Constructed Life, a critical biography based on Seward’s unpublished manuscripts and censored letters, was published with Ashgate in 2009. She is currently working on a book of essays, British Women and the Intellectual World in the Long Eighteenth Century, also with Ashgate. She is advisor for the eighteenth century for the Turku Centre for Medieval and Early Modern Studies.

Updated September 10, 2013 

 

 

Publisher's Version

Last updated on 04/15/2020