Date Published:

Abstract:

This paper argues that the missing object, the titular moonstone, in Wilkie Collins’s 1868 novel influences the characters and the circumstances, functioning as an overarching consciousness which I interpret as a Hegelian Consciousness. The loss of the diamond initiates the action of the novel; however, it is the overwhelming presence of the diamond inside the consciousness of the characters that causes their entanglement not only with one another but with the absent/present diamond as well. The diamond has a transformative effect on the characters, reaching deep down into their unconscious, and promoting self-discovery. Collins’s deployment of a series of symbolic triads, along with his combination of fragmented narratives, dismisses any attempt to assign a central position to any one character. In the absence of a center, and through the symbols of spirituality surrounding the diamond, oppositions are dissolved and the moonstone becomes the source of light that illuminates the problems concerning a sense of belonging, (im)perfection, marginalization, contradiction, and existence per se in a world that is divided more and more as individuality replaces collectivity in the name of modern progress. Collins posits a critical outlook towards this replacement.

October 2026: Seda Pekşen received her doctorate in English Literature from Middle East Technical University in 2008. She has been working as an instructor at Ankara University’s Department of English Language and Literature since 2010. Her fields of interest are Victorian fiction, contemporary fiction, science-fiction and fantasy literature, children’s literature, and literary theory.